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Strange experience, unfamiliar mixture of speed and slowdown.
A calendar for the year 1967 created by the artists Klaus Burkhardt and Luitpold Domberger.Featuring 6 optical art silkscreen prints, this work was issued in 26 copies only.
(via Op Art Kalendar « Room 26 Cabinet of Curiosities)

A calendar for the year 1967 created by the artists Klaus Burkhardt and Luitpold Domberger.
Featuring 6 optical art silkscreen prints, this work was issued in 26 copies only.

(via Op Art Kalendar « Room 26 Cabinet of Curiosities)

booksvscigarettes:



House and people living in it in Hamburg, Germany c1904Photograph by Hans Breuer

booksvscigarettes:

House and people living in it in Hamburg, Germany c1904
Photograph by Hans Breuer

(via 50watts)

continuo-docs:

Ancient Egyptian music notationFrom a set of 6 parchments described by German musicologist Hans Hickmann in his 1956 book Musicologie Pharaonique, or Music under the Pharaohs, as dating from the 5th to 7th centuries C.E. Colors are presumed to indicate pitch and size to indicate duration. Writings on the parchment are in Coptic with indications like “Spiritual Harmony” and “Holy Hymn Singer”. This manuscript had a profound influence on Egyptian composer Halim El-Dabh’s music notation and paintings when he discovered a reproduction in Vogue magazine in 1952.
Note: I wasn’t able to locate these manuscripts and couldn’t find any reference to them online, but they are presumably in NY’s Metropolitan Museum collections. This image comes from Theresa Sauer’s book Notations 21, Mark Batty Publisher, USA, 2009.

continuo-docs:

Ancient Egyptian music notation
From a set of 6 parchments described by German musicologist Hans Hickmann in his 1956 book Musicologie Pharaonique, or Music under the Pharaohs, as dating from the 5th to 7th centuries C.E. Colors are presumed to indicate pitch and size to indicate duration. Writings on the parchment are in Coptic with indications like “Spiritual Harmony” and “Holy Hymn Singer”. This manuscript had a profound influence on Egyptian composer Halim El-Dabh’s music notation and paintings when he discovered a reproduction in Vogue magazine in 1952.

Note: I wasn’t able to locate these manuscripts and couldn’t find any reference to them online, but they are presumably in NY’s Metropolitan Museum collections. This image comes from Theresa Sauer’s book Notations 21, Mark Batty Publisher, USA, 2009.

(via 50watts)

How much depends upon the way things are presented in this world can be seen from the very fact that coffee drunk out of wine-glasses is really miserable stuff, as is meat cut at the table with a pair of scissors. Worst of all, as I once actually saw, is butter spread on a piece of bread with an old though very clean razor.
– Lichtenberg (who really got his point across to me with the meat and scissors)

(Source: 50watts)

mythologyofblue:

“I am afraid that this setting bird will realize that I am a man, a being that has lost the confidence of birds.”
-Gaston Bachelard, The Poetics of Space (quote via batarde)
Image: Roni Horn

mythologyofblue:

“I am afraid that this setting bird will realize that I am a man, a being that has lost the confidence of birds.”

-Gaston Bachelard, The Poetics of Space (quote via batarde)

Image: Roni Horn

(via 50watts)

poetrysince1912:

“A Door to the Sea,” from Lawrence Ferlinghetti’s paintings in the July/August 2012 issue of Poetry. More: Ferlinghetti at the Sonoma Valley Museum of Art (Los Angeles Times), and Ferlinghetti’s City Lights Bookstore and 1967’s Summer of Love (Vanity Fair).

poetrysince1912:

“A Door to the Sea,” from Lawrence Ferlinghetti’s paintings in the July/August 2012 issue of Poetry. More: Ferlinghetti at the Sonoma Valley Museum of Art (Los Angeles Times), and Ferlinghetti’s City Lights Bookstore and 1967’s Summer of Love (Vanity Fair).

(via 50watts)

Strange experience, unfamiliar mixture of speed and slowdown.
A calendar for the year 1967 created by the artists Klaus Burkhardt and Luitpold Domberger.Featuring 6 optical art silkscreen prints, this work was issued in 26 copies only.
(via Op Art Kalendar « Room 26 Cabinet of Curiosities)

A calendar for the year 1967 created by the artists Klaus Burkhardt and Luitpold Domberger.
Featuring 6 optical art silkscreen prints, this work was issued in 26 copies only.

(via Op Art Kalendar « Room 26 Cabinet of Curiosities)

booksvscigarettes:



House and people living in it in Hamburg, Germany c1904Photograph by Hans Breuer

booksvscigarettes:

House and people living in it in Hamburg, Germany c1904
Photograph by Hans Breuer

(via 50watts)

continuo-docs:

Ancient Egyptian music notationFrom a set of 6 parchments described by German musicologist Hans Hickmann in his 1956 book Musicologie Pharaonique, or Music under the Pharaohs, as dating from the 5th to 7th centuries C.E. Colors are presumed to indicate pitch and size to indicate duration. Writings on the parchment are in Coptic with indications like “Spiritual Harmony” and “Holy Hymn Singer”. This manuscript had a profound influence on Egyptian composer Halim El-Dabh’s music notation and paintings when he discovered a reproduction in Vogue magazine in 1952.
Note: I wasn’t able to locate these manuscripts and couldn’t find any reference to them online, but they are presumably in NY’s Metropolitan Museum collections. This image comes from Theresa Sauer’s book Notations 21, Mark Batty Publisher, USA, 2009.

continuo-docs:

Ancient Egyptian music notation
From a set of 6 parchments described by German musicologist Hans Hickmann in his 1956 book Musicologie Pharaonique, or Music under the Pharaohs, as dating from the 5th to 7th centuries C.E. Colors are presumed to indicate pitch and size to indicate duration. Writings on the parchment are in Coptic with indications like “Spiritual Harmony” and “Holy Hymn Singer”. This manuscript had a profound influence on Egyptian composer Halim El-Dabh’s music notation and paintings when he discovered a reproduction in Vogue magazine in 1952.

Note: I wasn’t able to locate these manuscripts and couldn’t find any reference to them online, but they are presumably in NY’s Metropolitan Museum collections. This image comes from Theresa Sauer’s book Notations 21, Mark Batty Publisher, USA, 2009.

(via 50watts)

How much depends upon the way things are presented in this world can be seen from the very fact that coffee drunk out of wine-glasses is really miserable stuff, as is meat cut at the table with a pair of scissors. Worst of all, as I once actually saw, is butter spread on a piece of bread with an old though very clean razor.
– Lichtenberg (who really got his point across to me with the meat and scissors)

(Source: 50watts)

mythologyofblue:

“I am afraid that this setting bird will realize that I am a man, a being that has lost the confidence of birds.”
-Gaston Bachelard, The Poetics of Space (quote via batarde)
Image: Roni Horn

mythologyofblue:

“I am afraid that this setting bird will realize that I am a man, a being that has lost the confidence of birds.”

-Gaston Bachelard, The Poetics of Space (quote via batarde)

Image: Roni Horn

(via 50watts)

poetrysince1912:

“A Door to the Sea,” from Lawrence Ferlinghetti’s paintings in the July/August 2012 issue of Poetry. More: Ferlinghetti at the Sonoma Valley Museum of Art (Los Angeles Times), and Ferlinghetti’s City Lights Bookstore and 1967’s Summer of Love (Vanity Fair).

poetrysince1912:

“A Door to the Sea,” from Lawrence Ferlinghetti’s paintings in the July/August 2012 issue of Poetry. More: Ferlinghetti at the Sonoma Valley Museum of Art (Los Angeles Times), and Ferlinghetti’s City Lights Bookstore and 1967’s Summer of Love (Vanity Fair).

(via 50watts)

Slide rule!

Slide rule!

"Strange experience, unfamiliar mixture of speed and slowdown."
"How much depends upon the way things are presented in this world can be seen from the very fact that coffee drunk out of wine-glasses is really miserable stuff, as is meat cut at the table with a pair of scissors. Worst of all, as I once actually saw, is butter spread on a piece of bread with an old though very clean razor."

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